Correct wardrobe, room and light on plates that are almost right. One change per job, 21 credits, originals preserved.
Per-job credit pricing is shown before you confirm. An edit produces a new piece; your original stays untouched in your account.
Pick an effect, upload your photo, and the built-in recipe does the rest. Same photo, far more reliable results.
You have been writing prompts by hand. Templates skip all of that — pick a card below, upload your photo, and get the same scene in one click.
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Every volume holds plates that are nearly right. The pose is surveyed correctly. The light is true. The garment belongs to a different pack. The editor exists for exactly those plates. State the correction in plain words — wardrobe, room, light, a single detail — and the plate is redrawn with that correction made and everything else left standing. Editing costs 21 credits a job, shown before you confirm, and the original is never overwritten: it rests in your account beside its corrected edition.
The discipline here mirrors cartography itself. A surveyor who finds one coastline misdrawn does not resurvey the continent; the sheet is corrected at the error and reissued. Editors who ask for five corrections at once are not editing — they are commissioning a new plate at an editing price, and the drift they get back is the predictable result.
Strong composition, wrong details. A plate whose whole composition has failed costs more to correct than to redraw, and pride is a poor reason to spend credits.
A single instruction keeps the rest of the plate still and the cost predictable. Three corrections at once unsettle precisely the parts you wanted preserved.
Original and correction rest side by side. Ship the winner. The other costs nothing further and asks nothing of you.
The same pose dressed for three different packs. The quickest multiplication a catalogue knows.
Bedroom to hotel suite to bare studio wall, without moving the woman or the light that holds her.
Daylight to evening, flat to dramatic — a plate regraded so it sits quietly among the volume it is joining.
“Change the ivory robe to deep emerald satin. Keep the pose, the hair and the lamplight exactly as they are.”
The correction is named, and everything else is explicitly protected. The words “keep exactly” are cheap insurance, and they work.
“Move the scene to a marble hotel bathroom in warm mirror light. The subject and her pose do not change.”
One environment, moved once. A new room, a new garment and a new pose in a single job is a new plate, and should be briefed as one.
| Situation | The better move |
|---|---|
| Pose and light are right; details are wrong | Edit — it keeps the survey and costs less |
| The composition itself has missed | Redraw the plate with a corrected brief |
| One keeper, three packs | Edit three times from the one keeper |
21 credits per job, shown before you confirm. Correcting a keeper is normally cheaper than redrawing and rejudging a whole set. The daily check-in 6 credits cover standard plates, not edits, so budget edits from a balance or a pack.
No. The correction is a new edition of the plate. The original rests untouched, and both remain yours.
One. Stacked changes unsettle the very parts you asked to keep, and the plate drifts off its survey.
Yes — your own photographs, under the same consent rules as every upload in the studio.
Narrow the instruction, and name what must stay identical. Vagueness is the usual cause of a drifting correction.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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