Text-to-video and image-to-video that begin from your plates. One movement per clip; price by duration and resolution, shown before you confirm.
Video is priced by duration and resolution. The exact credit cost is calculated on the job and shown before you confirm; failed jobs refund automatically.
Pick an effect, upload your photo, and the built-in recipe does the rest. Same photo, far more reliable results.
You have been writing prompts by hand. Templates skip all of that — pick a card below, upload your photo, and get the same scene in one click.
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Video is the most expensive plate in the volume, so it is surveyed rather than scattered. The dependable order is the atlas order: prove the still first — on chart, already judged — and then lay one movement over it. For a scene that exists on no plate yet, a text brief carries the same charted description as your stills, word for word. Pricing follows duration and resolution, is calculated on the job itself, and is shown in full before you confirm. A failed render refunds itself.
Treat each clip as a plate that moves. That framing disciplines the brief: the subject, the garment and the room are already decided by the still beneath it, so the only new information a clip should carry is motion. When a brief tries to decide casting, scenery and choreography all at once, the render smears — not because the model is weak, but because the plate was asked to be three plates at once.
Image-to-video inherits the woman, the garment and the room from its first frame. It is the cheapest consistency in the whole volume.
A turn toward the lamplight. A slow step forward. One movement, camera held steady. Choreography smears; a single gesture renders cleanly and loops gracefully.
Decide where the clip will live before rendering it. A teaser and a store piece are drawn to different measures, and rendering the maximum of everything quietly doubles a budget.
The strongest plate of the week, given a few seconds of life, to draw a viewer toward the full volume.
One clean repeating gesture that still reads at thumbnail size and survives a platform compressing it.
Longer takes briefed from the same chart as the stills they sit beside, so nothing in the volume feels recast.
“She turns slowly toward the lamplight and lowers her gaze, a loose strand of hair swaying, camera still.”
One movement for the subject, none for the camera. The first frame already decided everything else, so the brief only directs motion.
“Fictional 32-year-old woman, auburn-copper hair in a high twisted bun with a tortoiseshell comb, ivory satin robe, crossing a map room lined with atlas shelves toward camera, warm lamplight, unhurried, cinematic.”
The chart travels into the clip brief unchanged, so the woman in motion is the woman on the plates.
| Lever | Effect on price | Practice |
|---|---|---|
| Duration | Longer costs more | A teaser rarely needs more than a few seconds |
| Resolution | Higher costs more | Render at the measure of the destination; enlarge a winner later |
| Retries | Each render is a job | Correct the brief or the first frame before rendering again |
By duration and resolution, calculated on the job and shown before you confirm. Nothing is charged unseen, and a failed render refunds automatically. Registration is free, and the daily check-in 6 credits cover still plates while you plan a clip.
Image-to-video for series work — the first frame carries the character with it. Text-to-video suits standalone scenes and first experiments.
Yes, by two habits: begin from series plates, and carry the charted description into text briefs word for word.
Usually too much is asked of it — several movements, a travelling camera, a crowded room. One movement, a steady camera, an uncluttered space: that is the pattern that holds.
No. Clips rest in your account until you publish or download them. Nothing is posted on your behalf.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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Browse filesFailed jobs are refunded automatically. Results land in My Collection.
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