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Finishing-plate video upscaling for paid tiers and masters. video_upscaler from 101 credits, shown before you confirm.
Priced by duration and target resolution, shown before you confirm. Failed jobs refund automatically.
Pick an effect, upload your photo, and the built-in recipe does the rest. Same photo, far more reliable results.
You have been writing prompts by hand. Templates skip all of that — pick a card below, upload your photo, and get the same scene in one click.
NEW 5s
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NEW 5s
⚡ Generate
The video upscaler takes a finished clip to a higher resolution, rebuilding detail frame by frame, so work drawn at a working size can meet the measure of a storefront or a large placement. It runs on the video_upscaler model at 101 credits where a fixed price applies in the studio listing; the exact figure for a given clip is shown on the job before you confirm, with duration and target resolution taken into account, and failure refunds itself. Like its still counterpart, it is the end of the process, never a rescue.
Clips deserve the same editorial honesty as stills. A catalogue that labels a working-size clip as high definition is making a claim its files cannot support, and audiences can see the difference even when they cannot name it. Enlarging the shipped cut — and only the shipped cut — keeps the label, the file and the price in honest alignment.
Casting, cuts and grade are final at working resolution, where changing your mind is still cheap.
Aim at the actual requirement of the destination. Beyond it lies cost without visibility, and this atlas does not buy invisibility.
Faces and the edges of motion, across the whole clip — especially at turns and at changes of light, where weakness shows first.
A placement that advertises high definition receives a file that honestly meets the word.
A teaser performing beyond the rest of the catalogue earns a delivery pass for larger placements.
A high-resolution master of the flagship scenes, kept while the working catalogue stays lean.
“The locked store cut: casting on chart, grade final, destined for a paid tier that displays it large.”
Nothing about this clip will change again, which is exactly when enlargement belongs — after the last creative decision, not before it.
“The rough assembly, still carrying two scenes the editor plans to cut, enlarged at maximum measure just in case.”
Enlarging footage that will be cut is paying to finish waste. Lock the cut, then enlarge precisely what ships.
| Lever | Effect | Practice |
|---|---|---|
| Duration | Longer clips cost more | Enlarge the shipped cut, never the rushes |
| Target resolution | Higher costs more | Match the measure of the placement exactly |
| Timing | The price is the same whenever it runs | Run it last, when nothing else will change |
The video_upscaler model is listed at 101 credits, and the exact figure for your clip is shown before you confirm, with duration and target resolution taken into account. Failed jobs refund automatically.
No. It raises resolution. It does not raise the quality of a performance, a casting or a light. Those are settled earlier, at working size.
No. Teasers and ordinary feed clips rarely repay it. Keep it for paid tiers, for winners, and for masters.
No. It produces a delivery edition that rests beside the working file.
Faces and motion edges at full size, across the whole clip — at turns and changes of light above all.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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Browse filesFailed jobs are refunded automatically. Results land in My Collection.
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